Wednesday, September 29, 2010
Stale mate!
i'm opening up the poll again, because we have a tie! if you haven't voted yet, please do so!
Wednesday, September 8, 2010
November 2nd choices-spooky themes....
In the spirit of Halloween, our choices for the November 2nd book discussion are some spooky classics. Choose wisely, nightmares are no fun...
Dracula
by Bram Stoker
In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.
Jonathan Harker has a job to do. The young lawyer must go to the mysterious country of Transylvania to work for a man he knows as the Count. At first, Jonathan is excited by the chance to travel and meet new people. But after his arrival in Transylvania, he begins to wonder what's going on. People act strangely upon hearing he is going to visit the Count. When Jonathan arrives at the Count's dark, isolated castle, he too begins to feel afraid. Soon after meeting his host, Jonathan finds himself trapped in a horrifying nightmare. Only this nightmare is real, and he can't wake up . . .
The Dracula mythology has inspired a vast subculture, but the story has never been better told than by Stoker. He succeeds entirely in his aim to terrify. His myth is powerful because it allows evil to remain mysterious. Virtuous action has no more impact than Jonathan Harker's shovel. The high virtue of Lucy can simply be drained away, as her blood is drained away, until she too joins the vampire brood. Van Helsing's high-thinking and scientific skill cannot resist the dreadful potency of the undead. Only the old magic, a crucifix, garlic, a wooden stake, can provide effective weapons against the Count's appalling power.
The Strange Case of Dr. Jekyll & Mr. Hyde
by Robert Louis Stevenson
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
Click for more information on this plot
The Historian
by Elizabeth Kostova
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Dracula
by Bram Stoker
In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.
Jonathan Harker has a job to do. The young lawyer must go to the mysterious country of Transylvania to work for a man he knows as the Count. At first, Jonathan is excited by the chance to travel and meet new people. But after his arrival in Transylvania, he begins to wonder what's going on. People act strangely upon hearing he is going to visit the Count. When Jonathan arrives at the Count's dark, isolated castle, he too begins to feel afraid. Soon after meeting his host, Jonathan finds himself trapped in a horrifying nightmare. Only this nightmare is real, and he can't wake up . . .
The Dracula mythology has inspired a vast subculture, but the story has never been better told than by Stoker. He succeeds entirely in his aim to terrify. His myth is powerful because it allows evil to remain mysterious. Virtuous action has no more impact than Jonathan Harker's shovel. The high virtue of Lucy can simply be drained away, as her blood is drained away, until she too joins the vampire brood. Van Helsing's high-thinking and scientific skill cannot resist the dreadful potency of the undead. Only the old magic, a crucifix, garlic, a wooden stake, can provide effective weapons against the Count's appalling power.
The Strange Case of Dr. Jekyll & Mr. Hyde
by Robert Louis Stevenson
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
Click for more information on this plot
The Historian
by Elizabeth Kostova
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Next up: October 5th, Ex Libris: Confessions of a Common Reader
by Anne FadimanThe author of last year's NBCC-winning The Spirit Catches You and You Fall Down, has collected 18 essays about her relationships with books, reading, writing and words. Gathered from the "Common Reader" column Fadiman wrote for Civilization magazine, these essays are all inspired by interesting ideas?how spouses merge their large libraries, the peculiar pleasures of reading mail-order catalogues, the joys of reading aloud, how people inscribe their books and why. Unfortunately, some of these fascinating ideas grow fussy. The minutiae of the shelving arrangements at the Fadiman household brings the reader to agree with the author's husband, who "seriously contemplated divorce" when she begged him to keep Shakespeare's plays in chronological order. The aggressive verbal games waged in Fadiman's (as in Clifton) family are similarly trying: They watched G.E. College Bowl, almost always beating the TV contestants; they compete to see who can find the most typos on restaurant menus; and adore obscure words such as "goetic" (pertaining to witchcraft). At least the author is self-aware: "I know what you may be thinking. What an obnoxious family! What a bunch of captious, carping, pettifogging little busybodies!" Well, yes, but Fadiman's writing, particularly in her briefer essays, is lively and sparkling with earthy little surprises: William Kunstler enjoyed writing (bad) sonnets, John Hersey plagiarized from Fadiman's mother. Books are madeleines for Fadiman, and like those pastries, these essays are best when just nibbled one or two at a time.
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